| Cover |
Collier, Brian D. |
"Flying Carp #693" |
| 3-16 |
|
Untitled |
| 17-20 |
Costa, Horácio; Translator(s): Tejada, Roberto |
"On the Monologic Archipelago" |
| 21-24 |
Costa, Horácio; Translator(s): Tejada, Roberto |
"My Day with the Falcon" |
| 25-26 |
Costa, Horácio; Translator(s): Tejada, Roberto |
"Pina, the Bee and the Window" |
| 27-53 |
Pérez, Omar |
"de Filantrópicas" |
| 54-58 |
Myles, Eileen |
"from Afterglow (A Memoir)" |
| 59-60 |
Bettridge, Joel |
"Apocalypse, Apocalypse" |
| 61-62 |
Bettridge, Joel |
"Hypothesis of Light (1675)" |
| 63 |
Bettridge, Joel |
"Newton Rediscovers gravity, March 1727, at the Greatest Distance from the Windows Among Parcels of Books, Writing over his Chronology of Ancient Kingdoms" |
| 64-65 |
Bettridge, Joel |
"The American Scene" |
| 66-67 |
Bettridge, Joel |
"To the Citizens of the End of Time" |
| 68-75 |
D'Aquino, Alfonso; Flomen, Michael |
"Intersecciones" |
| 76-77 |
D'Aquino, Alfonso; Translator(s): Gander, Forrest |
"Poems from Fungus Skull Eye Wing: Selected Poems of Alfonso D'Aquino" |
| 78-79 |
Lynd, Juliet |
"Sabores de Cecilia Vicuña" |
| 80 |
Vicuña, Cecilia |
"Batalla" |
| 81 |
Vicuña, Cecilia |
"Separación Increíble" |
| 82 |
Vicuña, Cecilia |
"Penelopéncia Pasión" |
| 83 |
Vicuña, Cecilia |
"Espejo de Carne" |
| 84 |
Vicuña, Cecilia |
"Teresa la Imbécil" |
| 85 |
Vicuña, Cecilia |
"Los Castrados" |
| 86 |
Vicuña, Cecilia |
"Ruidos Desagradables" |
| 87 |
Vicuña, Cecilia |
"Ruidos Agradables" |
| 88 |
Vicuña, Cecilia |
"Bésame Mucho" |
| 89 |
Lorenzini, Kena |
Untitled |
| 90 |
Sharma, Prageeta |
"Poetry's Imperial Social Systems" |
| 91 |
Sharma, Prageeta |
"Double Fantasy" |
| 92-94 |
Ajens, Andrés |
"Estudios Bolivianos N° 17 Y N° 2" |
| 95-111 |
Papasquiaro, Mario Santiago; Translator(s): Burns, Laura Patricia; Reardon, Alicia |
"Advice from a Disciple of Marx to a Fan of Heidegger" |
| 112 |
Smith, Carmen Giménez |
"I'm Ill" |
| 113 |
Smith, Carmen Giménez |
"My Belongings" |
| 114-122 |
Granados, Gabriel Bernal |
"Bordes Sobre Bordes" |
| 123-124 |
Lizalde, Eduardo |
Los muebles de la casa por la noche |
| 125-126 |
Gander, Forrest |
"Breath" |
| 127-128 |
Gander, Forrest |
"Parable" |
| 129-139 |
Pérez, Ricardo Alberto |
"El Reptil Comió La Rosa" |
| 140-141 |
Lau, David |
"Fleur de de la Soul" |
| 142 |
Lau, David |
"Trabajos Espirituales" |
| 143 |
Lau, David |
"My Breast is Swarming with Restless Waves" |
| 144 |
Lau, David |
"Beater Pride of Lions" |
| 145-146 |
Lau, David |
"Near Earth Object" |
| 147 |
Lau, David |
"Eyebrow of Jungle" |
| 148 |
Lau, David |
"Todos los Everything" |
| 149-159 |
Wagner, Catherine |
"American Darling Valve" |
| 160-164 |
Morales, Marcelo |
"El Mundo Como Ser." |
| 165-172 |
Soto-Róman, Carlos |
"Eleven excerpts" |
| 173-185 |
Borzutzky, Daniel |
"Bed Time Stories for the End of the World! Or Murmurs from the Rotten Carcass Economy!" |
| 186-194 |
Pérez, Emmy |
"From Next Surge" |
| 195-200 |
Zondek, Verónica |
"Hay Golpes de Viento que yo no Sé (Itinerarios Patagónicos)" |
| 201 |
Minor, Elena |
"Cold Fission" |
| 202 |
Minor, Elena |
"El Olor de tu Pierna" |
| 203 |
Minor, Elena |
"Untitled, with Entitled Poses" |
| 204-205 |
Minor, Elena |
"As You are Naked Now so Shall You Prize Tomorrow" |
| 206-219 |
Zurita, Raúl; Translator(s): Borzutzky, Daniel |
"My God is No" |
| 206 |
López, Ana María |
Untitled |
| 211 |
López, Ana María |
Untitled |
| 216 |
López, Ana María |
Untitled |
| 219 |
López, Ana María |
Untitled |
| 220-226 |
Zurita, Raúl; Translator(s): Test, Edward McLean; Mejer, Valerie |
"Excerpts from Cuidades de Agua" |
| 227-230 |
Sirkin, Jeffrey |
"The Premises" |
| 231-233 |
Sirkin, Jeffrey |
"The Morning Paper" |
| 234-235 |
Sirkin, Jeffrey |
"The Free Inquiry Group" |
| 236-243 |
Cuevas, Ángel |
"Frutos de Sal" |
| 244-246 |
Collier, Brian D. |
"Why do Flying Carp Jump? An Inquiry by the Society for a Re-Natural Environment (SRNE)" |
| 247 |
Collier, Brian D. |
"Flying Carp #693" |
| 248 |
Collier, Brian D. |
"Flying Carp #699" |
| 249 |
Collier, Brian D. |
"Flying Carp #417" |
| 250 |
Collier, Brian D. |
"Flying Carp #753" |
| 251 |
Collier, Brian D. |
"Flying Carp #696" |
| 252 |
Collier, Brian D. |
"Flying Carp #690" |
| 253 |
Collier, Brian D. |
"Flying Carp #316" |
| 254 |
Collier, Brian D. |
"Flying Carp #304" |
| 255-272 |
Varela, Blanca; Translator(s): O'Connor, E. M. |
"Animal Concert" |
| 273-274 |
Featherson, Dan |
"Buffalo" |
| 275-285 |
Harris, Heddy Navarro |
"SER del SUR" |
| 286-287 |
Alcalá, Rosa |
"Voice Activation" |
| 288-289 |
Alcalá, Rosa |
"My Body's Production" |
| 290-292 |
Alcalá, Rosa |
"Dear María" |
| 293 |
Alcalá, Rosa |
"Dear Stranger" |
| 294 |
Alcalá, Rosa |
"Notes" |
| 295-299 |
Ríos, Soleida |
"Puriales de Caujerí" |
| 300-304 |
Gudding, Gabriel |
"There can be no Pastoral as Long as there is a Slaughterhouse" |
| 305-306 |
Granados, Gabriel Bernal |
"Ernesto de la Peña (1927-2012)" |
| 307-311 |
de la Peña, Ernesto; Translator(s): Matute, Ana Rosa González |
"The Ego and Its Own" |
| 312-315 |
Johnson, Kent |
"Forgotten American Poets of the 19th Century' |
| 316-318 |
Johnson, Kent |
"Forgotten American Poets of the 20th Century [Aborted Eclogue]" |
| 319 |
Aroche, Rito Ramón |
"Planos de Ciudad" |
| 320 |
Aroche, Rito Ramón |
"¿Troni?" |
| 321 |
Aroche, Rito Ramón |
"Narcolepsia" |
| 322 |
Aroche, Rito Ramón |
"<<Ese y Otros Cuentos>>" |
| 323 |
Aroche, Rito Ramón |
"Galerías" |
| 324 |
Aroche, Rito Ramón |
"Tablilla V" |
| 325 |
Aroche, Rito Ramón |
"Comederos" |
| 326 |
Aroche, Rito Ramón |
"<<Acerca de unos Minutos en el Pozo" |
| 327 |
Aroche, Rito Ramón |
"Ciudad Muy Adentro" |
| 328-333 |
Pafunda, Danielle |
"From The Book of Scab" |
| 334-337 |
Liu, Timothy |
"True Value" |
| 338 |
Liu, Timothy |
"Epithalamion" |
| 339-340 |
Liu, Timothy |
"Romance" |
| 341-342 |
Liu, Timothy |
"Romance" |
| 343 |
Váscones, Carmen |
"The Unutterable" |
| 344 |
Váscones, Carmen |
"Who Knows What That Eye is Doing" |
| 345 |
Váscones, Carmen |
"Sequence of Disgust" |
| 346 |
Váscones, Carmen |
"Water Cannot Gaze Into a Mirror" |
| 347-353 |
Yankelevich, Matvei |
"From Some Worlds for Dr. Vogt" |
| 354-355 |
Vázquez, Lourdes |
"Londres en Tres Tiempos" |
| 356 |
Atencio, Caridad |
Me sobrepongo porque no me puede sobreponer. |
| 357 |
Atencio, Caridad |
Habrá una torcedura si inclino la cabeza. |
| 358 |
Atencio, Caridad |
La noche hermosa sobre otro veneno. |
| 359 |
Atencio, Caridad |
Mi cabello cortado adornará mi silla, y sus hebras más largas darán indicio |
| 360 |
Atencio, Caridad |
Dicen las damas penetrantes que soy el horcón de la casa |
| 361-362 |
Deming, Richard |
"Lazarus Chorale" |
| 363 |
Deming, Richard |
"Language Poem" |
| 364 |
Deming, Richard |
"The Psychic Lives of Animals" |
| 365 |
Deming, Richard |
"Pentecost" |
| 366-369 |
Briante, Susan |
"Three poems from The Market Wonders" |
| 370-371 |
Gilbert, Alan |
"No Child Left Behind" |
| 372 |
Gilbert, Alan |
"Ordering Off the Menu" |
| 373-374 |
Gilbert, Alan |
"Breaking and Entering" |
| 375-376 |
Gilbert, Alan |
"Remind Me Again Later" |
| 377 |
Gilbert, Alan |
"Penalty Imposed for Early Withdrawal" |
| 378-380 |
Matute, Ana Rosa González |
"Hombres y Mujeres Desnudos" |
| 381-383 |
Matute, Ana Rosa González |
"C A S A" |
| 384-385 |
Matute, Ana Rosa González |
"Lirio en la Nube" |
| 386 |
Matute, Ana Rosa González |
"Pespunte" |
| 387-388 |
Matute, Ana Rosa González |
"Hora Solar" |
| 389-390 |
Matute, Ana Rosa González |
"C A O S" |
| 391-392 |
Matute, Ana Rosa González |
"Pozo del Eco" |
| 393-407 |
Ramos, Peter |
"Lord Baltimore" |
| 408-409 |
Mejer, Valerie |
"The Human Condition" |
| 410 |
Mejer, Valerie; Translator(s): Jensen, Torin |
"The Burning" |
| 411-423 |
Fornaris, Almelio Calderón |
"Fragmentos de Los Dados de la Noche" |
| 424-425 |
Harrison, Roberto |
forged |
| 426 |
Harrison, Roberto |
there is only a simple line |
| 427 |
Harrison, Roberto |
seemingly so |
| 428 |
Harrison, Roberto |
two faces |
| 429 |
Harrison, Roberto |
where did they go |
| 430 |
Harrison, Roberto |
calm |
| 431 |
Harrison, Roberto |
once, there were memories |
| 432-433 |
Wilkinson, Joshua Marie |
"A Song Called Hull" |
| 434 |
Ali, Kazim |
"The Nowhere House" |
| 435 |
Ali, Kazim |
"The Good Brother" |
| 436 |
Ali, Kazim |
"Ticket" |
| 437 |
Ali, Kazim |
"Swoon" |
| 438 |
Ali, Kazim |
"Crib" |
| 439 |
Ali, Kazim |
"Prayer Request Cards" |
| 440 |
Bernstein, Charles |
"As If by Moonlight" |
| 441 |
Bernstein, Charles |
"And Quiet Flows the Soane" |
| 442 |
Bernstein, Charles |
"Double Blind" |
| 443 |
Bernstein, Charles |
"Why I Am Not a Hippie" |
| 444 |
Bernstein, Charles |
"Spring" |
| 445-465 |
Noel, Urayoán |
"Stateless Poems" |
| 466-470 |
Perdomo, Willie |
"From The Essential Hits of Shorty Bon Bon" |
| 471-479 |
Cruz, Ricardo Cortez |
"TM Opus" |
| 480-482 |
Vazquez, Laura |
"Love Poems" |
| 483-486 |
Vazquez, Laura |
"Bibliophile" |
| 487-488 |
Bertoni, Claudio |
"A POEM IS LIKE" |
| 489 |
Bertoni, Claudio |
"HOW ARE HAMLET AND DON QUIXOTE ALIKE? HOW ARE THEY DIFFERENT?" |
| 490 |
Bertoni, Claudio |
"ASPIRING TO BE CHILE'S GREATEST POET" |
| 491 |
Bertoni, Claudio |
I love this Thelonious Monk solo |
| 492 |
Bertoni, Claudio |
"ON SATURDAY, APRIL 12th,1975" |
| 493 |
Dickison, Steve |
"'The Friend'" |
| 494-498 |
Dickison, Steve |
"From Wear You to the Ball" |
| 499-500 |
Dickison, Steve |
"A Note on Wadada" |
| 501 |
Flores, Juan Carlos; Translator(s): Dykstra, Kristin |
"Devotional" |
| 502 |
Flores, Juan Carlos; Translator(s): Dykstra, Kristin |
"For a Dead Blue Jay" |
| 503 |
Flores, Juan Carlos; Translator(s): Dykstra, Kristin |
"Postcard" |
| 504-512 |
Escaja, Tina |
"Negro en Ovejas (Poema Ovino)" |
| 513-516 |
Tamayo, Jennifer |
"XI. Is it Kind or Sick to Make Things That Have a Body & Related Questions on the Internet, What Websites Do You Visit" |
| 517-526 |
Portillo, Juan Manuel |
"(Estudios)" |
| 527-530 |
Ace, Samuel |
"I Think He Killed the Red" |
| 531-537 |
Rodríguez, Reina María |
"C A A Y SU KTP" |
| 538 |
Aragón, Francisco |
"2012" |
| 539-542 |
Aragón, Francisco |
"Voices" |
| 543 |
Aragón, Francisco |
"December 31, 1965" |
| 544-549 |
Toscano, Rodrigo; Vicuña, Cecilia; Translator(s): Winter, Enrique |
"Donde Los Glaciares Encuentran El Mar" |
| 550-551 |
Sotomayor, Áurea María; Translator(s): Sotomayor, Áurea María |
"Oshún's Necklace" |
| 552-553 |
Sotomayor, Áurea María; Translator(s): Noel, Urayoán |
"Breathwaite Thinking About Sound" |
| 554-558 |
Deeny, Anna |
"Here Far Away: On Translating Diana's Tree" |
| 559-565 |
Mejer, Valerie |
"Siguiendo a Forrest Gander en su Camino a Japón" |
| 566-574 |
Borzutzky, Daniel |
"The Dead Sky, the Dead Tree, the Dead Forest: the Ecological Poetics of the Dying Nation" |
| 575-576 |
Zurita, Raúl |
"Contra las Lenguas - Tres apuntes para una traducción- " |
| 577-581 |
Z., Jaime Rodríguez; Translator(s): del Pozo, Marta; Evans, Eli S. |
"Selections from Vic Morrow's Song" |
| 582-583 |
Gander, Forrest; Translator(s): D'Aquino, Alfonso |
"Aliento" |
| 584-586 |
Gander, Forrest; Translator(s): D'Aquino, Alfonso |
"Enmarañamiento" |
| 587-589 |
Gander, Forrest; Translator(s): D'Aquino, Alfonso |
"Fidelidad" |
| 590-591 |
Gander, Forrest; Translator(s): D'Aquino, Alfonso |
"Desmonte" |
| 592-594 |
Gander, Forrest; Translator(s): D'Aquino, Alfonso |
"Mano" |
| 595-598 |
Rocha, Flávia; Translator(s): Novey, Idra; Rocha, Flávia |
"In Another Place" |
| 599-604 |
Elrick, Laura; Translator(s): Winter, Enrique |
"5 de Propagación" |
| 605-616 |
Peláez, Juan Sánchez; Translator(s): Parra, Guillermo |
"Primary Signs" |
| 617-624 |
Nelson, Maggie; Translator(s): Zéleny, Sylvia Aguilar |
"Jane: A Murder" |
| 625-628 |
Matos, Luis Palés; Translator(s): Colón, David A. |
"Ñáñigo Ascends to Heaven" |
| 629-642 |
Valerio-Holguín, Fernando |
"Pedro Henríquez Ureña: ¿Americanista?" |
| 643-658 |
|
"Notas Biográficas / Biographical Notes" |
| 659 |
|
"Review 87 Literature and Arts of the Americas" |
| 660 |
|
"The University of Alabama Press" |
| 661 |
|
"Press handmake chapbooks / publishing workshop" |
| 662 |
|
"Re:verse Reading Series & Open Mic" |
