| Cover |
"from Carnival" |
CIA de Foto |
| 3-10 |
|
Untitled |
| 11-14 |
Keene, John |
"How to Draw a Bunny" |
| 15 |
Keene, John |
"Untitled (Moticos)" |
| 16 |
Keene, John |
"Osmotics" |
| 17-22 |
CIA de Foto |
"Carnival" |
| 23 |
CIA de Foto; Translator(s): Tejada, Roberto |
"Installation Notes: Carnival" |
| 24-25 |
Cortez, Jayne; Translator(s): Granados, Gabriel Granados |
"Hoy en Este Día" |
| 26 |
Cortez, Jayne; Translator(s): Granados, Gabriel Granados |
"Linchar—Fragmento" |
| 27-28 |
Cortez, Jayne; Translator(s): Granados, Gabriel Granados |
"Ilusiones de Visiones" |
| 29 |
Cortez, Jayne; Translator(s): Granados, Gabriel Granados |
"Estrella Detonante" |
| 30 |
Cortez, Jayne; Translator(s): Granados, Gabriel Granados |
"Conócete a ti Mismo" |
| 31 |
Cortez, Jayne; Translator(s): Granados, Gabriel Granados |
"Aquí Estoy" |
| 32 |
Cortez, Jayne; Translator(s): Granados, Gabriel Granados |
"El Crecimiento" |
| 33 |
Cortez, Jayne; Translator(s): Granados, Gabriel Granados |
"Olvidé Recordar" |
| 34-49 |
Bryant, Tisa |
From [The Curator] |
| 50-51 |
Pastor, Mara |
"Jetlag" |
| 52 |
Pastor, Mara |
"Tu Viaje a Egipto" |
| 53-54 |
Pastor, Mara |
"La Cucuracha en el Hombro de Pablo" |
| 55 |
Pastor, Mara |
"Fiebre Porcina" |
| 56-67 |
Emar, Juan; Translator(s): McDowell, Megan |
"Yesterday" |
| 68 |
Lienlaf, Leonel |
"Boceto para una Cartografía en Verde Opaco y Barro" |
| 69 |
Lienlaf, Leonel |
"Pause_Historia" |
| 70 |
Lienlaf, Leonel |
"Abuela_Voz" |
| 71 |
Lienlaf, Leonel |
"El Tiempo Va Desperdigando sus Imágenes Sobre un Paisaje Nuevo" |
| 72 |
Lienlaf, Leonel |
"Luciérnagas Prendidas de las Enredaderas Proyectan Arco Iris Entre Árboles de Huautro" |
| 73 |
Lienlaf, Leonel |
"Canto" |
| 74 |
Lienlaf, Leonel |
"Voces que Contaron" |
| 75 |
Lienlaf, Leonel |
"La Quebrada un Nudo de Voces que Caen (Canto)" |
| 76 |
Lienlaf, Leonel |
"La Luz Cae Vertical Sobre Los Chilcos en Movimiento" |
| 77 |
Lienlaf, Leonel |
"Adentre_Historias |
| 78 |
Flores, Juan Carlos |
"Palomas" |
| 79 |
Flores, Juan Carlos |
"Hombre Muerto" |
| 80 |
Flores, Juan Carlos |
"Antílopez" |
| 81 |
Flores, Juan Carlos |
"Devocional" |
| 82 |
Flores, Juan Carlos |
"Postal" |
| 83 |
Flores, Juan Carlos |
"En la Salina Roja" |
| 84 |
Flores, Juan Carlos |
"Hotel Mar Azul" |
| 85 |
Flores, Juan Carlos |
"Patinadores" |
| 86 |
Flores, Juan Carlos |
"Ardillas" |
| 87-88 |
Goldman, Judith |
"[Untitled[" |
| 89 |
Goldman, Judith |
"Work Diary" |
| 90-91 |
Goldman, Judith |
"[Untitled]" |
| 92-93 |
Goldman, Judith |
"The Waste Line [A'Cursed Share]" |
| 94-101 |
Salzano, Juan |
"Ameba Maga" |
| 103-114 |
Rivera, John-Michael |
From Amatl, An Encyclopedia in Part |
| 115-116 |
Booth, Mark |
"Badger" |
| 117 |
Booth, Mark |
"Bobcat" |
| 118 |
Booth, Mark |
"Hedgehog" |
| 119 |
Booth, Mark |
"Horseshoe Crab" |
| 120 |
Booth, Mark |
"Narwhal" |
| 121 |
Booth, Mark |
"Octopus" |
| 122 |
Booth, Mark |
"Platypus" |
| 123 |
Booth, Mark |
"Sea Urchin" |
| 124 |
Booth, Mark |
"Otter" |
| 125-129 |
Booth, Mark |
"piercednightstarvoice" |
| 130-136 |
Baranda, María |
"Víbora" |
| 137-141 |
Matuk, Farid |
"Commoner Garden" |
| 142 |
Medina, Pablo |
"El Caso Gödel" |
| 143 |
Medina, Pablo |
"Supuesto de Wittgenstein" |
| 144 |
Medina, Pablo |
"Canto y Teoría de Conjuntos" |
| 145-146 |
Medina, Pablo |
"La Conjetura de Poincaré" |
| 147-148 |
Medina, Pablo |
"Georg Cantor Llevado a la Música" |
| 149-152 |
Gevirtz, Susan |
"Quantity's Truancy" |
| 153-154 |
Gevirtz, Susan |
"Memorandum Drum" |
| 155-156 |
Gevirtz, Susan |
"Codicil" |
| 157-158 |
Gevirtz, Susan |
"Liner Notes" |
| 159 |
Gevirtz, Susan |
"Underwater Sound" |
| 160-161 |
Guitart, Jorge |
"Translación" |
| 162 |
Guitart, Jorge |
"Otras Preguntas" |
| 163 |
Guitart, Jorge |
"Hasta que no Lleguen los que Saben" |
| 164 |
Guitart, Jorge |
"Consolación del Norte" |
| 165-166 |
Guitart, Jorge |
"Dear All" |
| 167 |
Guitart, Jorge |
"Part of the Solid Truth" |
| 168-176 |
Torres, Edwin |
"Palimpsect(s)" |
| 177-191 |
Vicuña, Cecilia |
"Pensamientos del Sonido" |
| 192-174 |
Johnson, Kent |
"Introduction: A Note on this Portfolio for Mandorla" |
| 195-197 |
Hamed, Amir; Translator(s): Hatfield, Charles |
"At Home in the Hotel" |
| 198-200 |
Appratto, Roberto; Translator(s): Dykstra, Kristin |
Uruguayans: you have to catch them suddenly |
| 201 |
Bacelo, Nancy; Translator(s): Daley, Ryan |
"The Courage to Admit the Frailty in our Hearts" |
| 202 |
Bacelo, Nancy; Translator(s): Matuk, Farid |
Dust dust of gold |
| 203 |
Bacelo, Nancy; Translator(s): Matuk, Farid |
Shuffling this stack |
| 204-211 |
Berenguer, Amanda; Translator(s): de la Torre, Mónica |
"The Magellanic Clouds" |
| 212-213 |
Casal, Selva; Translator(s): Healy, Laura |
"Confession" |
| 214-215 |
Casal, Selva; Translator(s): Healy, Laura |
"Sex and War" |
| 216-218 |
Di Giorgio, Marosa; Translator(s): Briante, Susan |
"The Moth" |
| 219 |
Di Giorgio, Marosa; Translator(s): Pitas, Jeannine |
"XIX" |
| 220 |
Di Giorgio, Marosa; Translator(s): Pitas, Jeannine |
"XXX" |
| 221-223 |
Echavarren, Roberto; Translator(s): Antopolsky, Román; Gil-Montero, Michelle |
"The Invisible" |
| 224-225 |
Echavarren, Roberto |
"Atlantic Casino (A Fragment)" |
| 226-227 |
Espina, Eduardo; Translator(s): Borzutsky, Daniel |
"Lapses and Licking (To Love Your Neighbor as if he were Next" |
| 228-230 |
Espina, Eduardo; Translator(s): Borzutsky, Daniel |
"What the Page Finds (The Phrases are Never Cold)" |
| 231-232 |
Espinosa, Gustavo; Translator(s): Hatfield, Charles |
The last few weeks, |
| 233-235 |
Espinosa, Gustavo; Translator(s): Hatfield, Charles |
"Diatribe of the Poor Poet" |
| 236 |
Guerra, Silvia; Translator(s): Verdolini, Alex; Brassil, Gillian |
"Proof" |
| 237 |
Guerra, Silvia; Translator(s): Verdolini, Alex; Brassil, Gillian |
"Comparison Makes Metaphor" |
| 238 |
Guerra, Silvia; Translator(s): Verdolini, Alex; Brassil, Gillian |
"The Farce in the Doorway, Swaying" |
| 239 |
Maia, Circe; Translator(s): Crow, Mary |
"From Vermeer" |
| 240 |
Maia, Circe; Translator(s): Crow, Mary |
"V" |
| 241 |
Maia, Circe; Translator(s): Crow, Mary |
"City of the Sun" |
| 242 |
Milán, Eduardo; Translator(s): Simon, John Oliver |
"The Present Moment is in this Wind in Your Face" |
| 243 |
Milán, Eduardo; Translator(s): Simon, John Oliver |
"When There's Nothing Left To" |
| 244 |
Milán, Eduardo; Translator(s): Simon, John Oliver |
"Through Illusion's the Most Direct" |
| 245 |
Vilariño, Idea; Translator(s): Deeny, Anna |
"Damned be the Day" |
| 246-247 |
Vilariño, Idea; Translator(s): Deeny, Anna |
"Letter I" |
| 248-252 |
Curet, Jomi |
"Magma" |
| 253 |
Curet, Jomi |
"Quiero Saber la Línea" |
| 254-255 |
Curet, Jomi |
"Revienta" |
| 256-257 |
Petropoulos, Justin |
"1.01 (From Coincidence of Wants)" |
| 258 |
Petropoulos, Justin |
"3.01 (From Night of Failed Autopsies)" |
| 259 |
Petropoulos, Justin |
"7.07 (From Multiplier-Accelerator Model)" |
| 260-264 |
Levitsky, Rachel; Translator(s): Mejer, Valerie |
"Fragmento de 'Neighbor'" |
| 265-266 |
King, Amy |
"The Shallows of Footprints" |
| 267 |
King, Amy |
"Worthy" |
| 268-269 |
King, Amy |
"Painting, I Read" |
| 270-294 |
Spicer, Jack; Translator(s): Álvarez, David Menéndez |
"Lenguaje" |
| 295-322 |
Harrison, Roberto |
"Impermanent Action" |
| 323-331 |
Paredez, Deborah |
Poems from "Blue and Full of Stars, 1944" |
| 332-335 |
Matute, Ana Rosa González |
"Antonia" |
| 336 |
Martinez, J. Michael |
"Chrestomathies of the Brown Adam" |
| 336-340 |
Martinez, J. Michael |
"Praxis (43) The 'Or' of Ardor" |
| 342-343 |
Martinez, J. Michael |
"from Gospel of the Brown Adam" |
| 344 |
Martinez, J. Michael |
"Chrestomathies of the Brown Adam" |
| 345-347 |
Martinez, J. Michael |
"Praxis (57) The Diminshed Wall" |
| 348-356 |
Faesler, Carla; Translator(s): Lepri, Karen |
Excerpts from Katabasis Ex-Voto |
| 357-364 |
Liu, Timothy |
From "Songs for Going Under" |
| 365-370 |
Grinnell, E. Tracy; Translator(s): Teixeira, Virna |
Poemas de Some Clear Souvenir |
| 371-386 |
Schwartz, Leonard |
From The Sleep Talkers |
| 387-388 |
Borzutzky, Daniel; Translator(s): Pérez, Omar |
"El Aspecto Sincrónico de la Locura Severa" |
| 389 |
Borzutzky, Daniel; Translator(s): Pérez, Omar |
"En Otras Palabras" |
| 390-392 |
Trivedi, Amish |
"Banryu, Not Banryu" |
| 393 |
Trivedi, Amish |
"At a Static Funeral" |
| 394 |
Trivedi, Amish |
"The Stoplight in Turin" |
| 395-396 |
Martinez, Kristina |
"Diablerie" |
| 397-398 |
Martinez, Kristina |
"Theater for Old Men" |
| 399-400 |
Martinez, Kristina |
"Aviatrix" |
| 401-403 |
Granados, Gabriel Bernal |
"Manifiesto Contra el Ser de la Palabra [Escolios]" |
| 404-406 |
Granados, Gabriel Bernal |
"La Tela, El Cristal" |
| 407 |
Granados, Gabriel Bernal |
"Arte Povera" |
| 408 |
Granados, Gabriel Bernal |
"Pájaro:" |
| 409 |
Jones, Emily |
"We are Inalienable to Eachother" |
| 410 |
Jones, Emily |
"Coves Town" |
| 411-434 |
Jiménez, Reynaldo |
"La Alucinación que Piensa" |
| 435-454 |
Benítez, Virginia |
"Cuban Art in the International Imagination: The Moving Islands of Vicente Hernández" |
| 455-465 |
|
"Notas Biográficas / Biographical Notes" |
| 467 |
|
"Ugly Ducking Presse" |
| 468 |
|
"La Habana Elegante" |
| 469 |
|
"Review Literature and Arts of the Americas" |
| 470 |
|
"Narradores de la Cuidad" |
