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03_el_corno_emplumado.pdf

El corno emplumado 3

"Now the journal was making a name for itself. The typographical covers, with the publication’s name in continuous script across the top and the issue’s contributor’s names in continuous script along…
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04_el_corno_emplumado.pdf

El corno emplumado 4

"As we approached the end of our first year, we decided to devote the entire last issue of each year to a book by a single poet—in bilingual, facing text format. This would require a great deal of…
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05_el_corno_emplumado.pdf

El corno emplumado 5

"We begin our second year! To cut costs, with El Corno #5 we experimented with a different quality paper. It was an experiment we would not repeat. (El Corno was printed back in the days of linotype…
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06_el_corno_emplumado.pdf

El corno emplumado 6

"Thomas Merton, the Trappist monk at Gethsemani, Kentucky, read El Corno and wrote to us. He was a featured contributor to El Corno #5. It also had work by Diane Wakoski, Andre Breton, Ernesto…
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07_el_corno_emplumado.pdf

El corno emplumado 7

"El Corno #7 featured work by William Carlos Williams, Raquel Jodorowsky, Edmundo Valadez, Clayton Eshleman, Kenji Matsumoto, Robert Kelly, Barbara Moraff, William Wroth, Fielding Dawson, Eugenio…
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08_el_corno_emplumado.pdf

El corno emplumado 8

"Following in the tradition we had established of making our last issue of each year a bilingual book by an individual poet, this time it would be one who wrote in English. El Corno 8 was a book by…
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09_el_corno_emplumado.pdf

El corno emplumado 9

"Our first issue of 1964 featured a section of poetry written by painters: Henri Rousseau, Giorgio de Chirico, Paul Klee, Francis Picabia, Jean Arb, Oskar Kokoshka, and Salvador Dali. El Corno #9…
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01_el_corno_emplumado.pdf

El corno emplumado 1

"El Corno Emplumado 1 was the first issue of a new bilingual quarterly out of Mexico City. Sergio Mondragon, Harvey Wolin (who left the project shortly after this issue), and Margaret walked Mexico…
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